Kansas City Art Institute - Art School by Runnells Clark Waugh and Matsumoto Architects - Part 2

Name: Kansas City Art Institute - Art School
Architect: Runnells Clark Waugh and Matsumoto Architects
Year Designed: circa 1945-46
Builder: Unknown
Year Built: circa 1947-48
Size: Unknown
Location: Kansas City, MO
Type: Education
Style: Modern
Status: Fair with multiple additions that obscure major parts and concepts of the original building
Photographed By: Fred Gund
Photos Scanned From: Progressive Architecture February 1949. Art School, Kansas City, Missouri. pp 62-65.

The design concept for the Kansas City Art Institute's new Art School was all about securing natural north light for all of the studio classroom spaces. The studio classrooms were placed on the west side of a single loaded, "display corridor" that acted as a north-south spine. Display alcoves were naturally and artificially lit and placed opposite the studios on the east side of the spine. These alcoves were expressed as projecting boxes on the exterior of the east side of the building. The display alcoves are no longer visible on the exterior or naturally lit because of a recent addition.

The studio classrooms were the programmatic heart of the building. Each studio classroom had an exterior courtyard space between it and the next studio. These could be used as outdoor work spaces in fair weather. This exterior space between studios allowed natural diffused light to enter each of the studios through a large north facing window wall from the courtyard. Natural ventilation entered through louvers and exited through clerestories. Southern clerestories let light in from the south, while the west facades of the studios were blank brick walls to protect the rooms from the low western sun. Today these courtyards have been filled in to create more interior space.

The studio roofs were raised higher than the surrounding corridor and service spaces to accommodate clerestory windows and give that portion of the program a sense of hierarchy. The building was framed in concrete with some steel bar joist roof construction. The frame was then filled with concrete block walls and the exterior of the building was rendered in a vocabulary of red brick, concrete block, limestone and corrugated asbestos cement panels. The interiors were mostly concrete and lightweight concrete block left in a raw unfinished state.
The north end of the spine was punctuated by a two level classroom wing, with a full level below the main floor. The classroom wing housed industrial design studios upstairs and painting, typesetting and service areas downstairs. These rooms all had large north facing windows.
The south end of the spine was marked by the main studio, a life drawing studio done in a sculptural form of contrasting limestone. The stepped trapezoidal plan and section segments allowed for multiple north facing clerestories to light the large complex space, which was designed for 150 people. Today the clerestory windows are covered with sheet metal siding.

The main stepped form of the life drawing studio was likely inspired by some of Alvar Aalto's work in Finland. We know from Runnells sketch books that he traveled to Finland and certainly would have been familiar with the work. Runnels and Matsumoto's body of work certainly was closely related to Aalto's use of light and "Aaltos Red Brick Period."

The transplanted Finns, Eero and Eliel Saarinen were also very influential on this design. This was because the partners of this firm met at Cranbrook and came out of the Saarinen studio and architectural offices. The plan definitely used the Saarinen designed Crow Island School, with is courtyards between studio classrooms, as a precedent. And there was some relationship to the unbuilt, competition winning, Smithsonian Art Museum design. Even the signature Runnells-red brick chosen for the classroom portion of the building was a nod to the Cranbrook campus.

Besides relating to Cranbrook the red brick with limestone trim was also a tribute to Vanderslice Hall. The limestone cladding of the life drawing studio related to the cladding of the nearby Nelson Atkins.

A 1949 Progressive Architecture article gave this project a P/A Award Special Citation.

This article was written to familiarize our readers with the work of Architect who will be the featured in KCMODERN's David Benton Runnells House Tour, which will be held on September 20, 2009. Watch for more details soon!

Kansas City Art Institute - Art School by Runnells Clark Waugh and Matsumoto Architects - Part 1

Name: Kansas City Art Institute - Art School
Architect: Runnells Clark Waugh and Matsumoto Architects
Year Designed: circa 1945-46
Builder: Unknown
Year Built: circa 1948
Size: Unknown
Location: Kansas City, MO
Type: Education
Style: Modern
Status: Fair with multiple additions that obscure major parts and concepts of the original building
Photographed By: Robert McLaughlin

Runnells Clark Waugh and Matsumoto Architects were hired to do a master plan for a new Kansas City Art Institute Campus. At the time, Vanderslice Hall, the former August R. Meyer mansion housed the entire Art Institute just west of this building. After a master plan was done, the firm was hired to do the "Art School," the first in a series of new buildings. The site chosen was a narrow slice of land running north and south between Vanderslice Hall and Oak Street. The building consisted of classrooms, studios, workshop and exhibition spaces for students of life drawing and the commercial and industrial arts. The building was rendered in a vocabulary of red brick, limestone and corrugated asbestos cement panels. The most notable feature of the building was the limestone clad life drawing studio with its stepped limestone forms and multiple north facing clerestory windows.

Preservation Awards-Historic Kansas City Foundation

You are invited to the Historic Kansas City Foundation Preservation Awards. The Awards presentation occurs every two years. This year, I believe is especially important, with the redevelopment of the downtown theaters, the National Archive at Union Station(an original part of the Union Station design by Jarvis Hunt, a proponent of the City Beautiful movement), and more...The building is just west of the Union Station, there is a parking garage adjacent to the Archives. The main entrance faces north. I know you'll find this event very interesting...come support the efforts to preserve our built environment.

Sneak Peak at Studio 804 Open House for This Weekend

Well I got a sneak peak at the Studio 804 project this week and I plan on making another trip back this Saturday to see the greenest house in Kansas City finished (or almost finished). They had a lot of work ahead of them when I was there.

Studio 804, from the University of Kansas School of Architecture and Urban Planning will host an Open House of their most recent project this Saturday, May 16, 2009 from 10:00 AM - 4:00 PM. The house is located near KU Med, at 1716 Springfield, Kansas City, KS 66103. Parking is located at the school north of the site. Be sure to see the other Studio 804 projects in the neighborhood.

See ya there!

William Sutherland Beckett: Architect of the Cliffhanger - Modern Photo of the Week

Name: Three Cliff-side Dwellings
Architect: William Sutherland Beckett
Born in Kansas City
(No relationship to Welton Beckett)
Year Designed: Circa 1960
Builder: Stone Fisher Constructors
Year Finished: 1961
Size: Unknown
Location: Los Angeles, CA
Type: Residential
Style: Modern Cliffhanger
Status: Still Standing
Photographer: Julius Shulman

We have a KCMODERN event coming up on Sunday, June 14 in a Kansas City residence by this same architect. So stay tuned!

Studio 804 Open House - May 16, 2009

Studio 804, from the University of Kansas School of Architecture and Urban Planning will be having an Open House of their most recent project this Saturday, May 16, 2009 from 10:00 AM - 4:00 PM. The house is located not far from two previous 804 projects at 1716 Springfield, Kansas City, KS 66103. Parking is located directly Northeast of the site.

These houses always prove to be very interesting and this years house is not only Modern, but also Uber Green. More on that later.

Ted Seligson-Architect FAIA- Telling the Story of KC's Mid-Century Architecture

KCModern just completed a Video-Oral History with Ted Seligson, Architect, and Professor of Architecture at the University of Missouri-Kansas City. We recorded a two and a half hour interview in the conservatory at Epperson House, UMKC. In the photo above, Tom James ( Creative Media Services) our videographer prepares Ted for the recording. After graduating from Washington University in St. Louis, Ted began work (1948) for Kivett, Myers and McCallum, soon becoming head of design for the firm. Below, for K&M he designed the Gerson Building in the Miesian manner and incorporated the tiles as influenced by Edward Durell Stone's 1958-59 award winning embassy in New Delhi, India.


Ted started his own office in 1962 at the New York Life building, later moving to the Power and Light building. Some examples of Seligson and Associates work: The two photos below show a custom "lifestyle" home he did in 1978-79, near Johnson Dr. and Foster in Merriam, KS. Difficult to photo and with numerous additions, it is hard to see his original concept featuring numerous curved "sky-windows" covering galleries, etc. He also designed the interiors.
This is a wonderful site with extensive natural landscaping overlooking a pond.
The tasteful and nicely scaled building below was built in 1978 for the Koch Equipment Company on a difficult site, (many of us have driven by 100's of times on I-35 Hwy) bordered by light industrial on one side and a highway on the other. Note: Ted's window arrangement and favorite doors at the time.
A much larger commission for the Seaboard Allied Milling Company building(1978-80) with wraparound ribbon windows, recessed first floor on the facade, all electric heating and cooling, an interior landscape of partitions with a central skylight
Ted noted the off-center entry canopy and stated the firm often tried to introduce irony and humor in the their architecture. There are those doors again...
The house below was built in 1994 on a large golf course lot in Hallbrook subdivision, Leawood, KS. Ted, in his "cheeky" way, said the owner was adamant about having white brick.



Ted has a unique place in Kansas City architectural history. He was young enough and enthusiastic enough to explore and question directly, many architects considered "Masters" today...such as Bruce Goff, Mies Van der Rohe, Louis Kahn, Frank Lloyd Wright and he had direct interaction with noted architects: Helmut Jahn, Michael Graves, Steve Holl and Gunnar Birketts, to name a few. His skills were good enough to work for a prominent local modernist firm (K&M) at a young age, and he shared his first independant office with Bruce Goff... living and dying by the telephone, as so many architects have... In addition, he believes his preservation work has been very important, including his efforts to preserve Union Station in KCMO and the Wainwright Building in St. Louis, MO. All I can say is his anecdotes are priceless... He is truly a gentleman and a scholar... We extend a HUGE KCModern salute to Mr. Seligson and his life's work.

Frank Bott Residence Exteriors by Frank Lloyd Wright

Name: Frank Bott Residence
Architect: Frank Lloyd Wright
Date Designed: 1956-60
Builder: Unknown
Date Completed: 1963
Size: Unknown
Location: Kansas City, MO
Type: Residential
Style: Organic
Status: Good condition with a diligent owner
Photographed by: Robert McLaughlin

The interior photos of the Bott Residence have proved to be very popular, but we did not get any exteriors that day because KCMODERN was there at dusk. So I dug back in our photo archive and found these photos from a trip to the house with noted architecture author, Alan Hess. Alan is known for some of his books on Frank Lloyd Wright among others. We were there on a beautiful Fall day and we enjoyed the house very much, Unfortunately, the entry courtyard faces north, so it is tough shooting photographs into the low fall sun.

Some exterior photos deleted at owner's request.

Frank Bott Residence Interiors by Frank Lloyd Wright - Frank Lloyd Wright Building Conservancy Leadership Circle Event

Name: Frank Bott Residence
Architect: Frank Lloyd Wright
Date Designed: 1956-60
Builder: Unknown
Date Completed: 1963
Size: Unknown
Location: Kansas City, MO
Type: Residential
Style: Organic
Status: Good condition with a diligent owner
Photographed by: Robert McLaughlin

Some of the KCMODERN crew helped with the Frank Lloyd Wright Building Conservancy Leadership Circle Event a little over a week ago at the Frank Bott House. Here are some interior photos that I quickly snapped off before the guests started to arrive.

Frank Bott met his wife Eloise at the Wright designed Florida Southern College. Not much has been written about this design, but it is documented that Eloise had Wright narrow the kitchen or “work space” after the first design so she could reach everything by turning.

Construction is “rubble” stone desert masonry, consisting of over a mile of stone farm wall brought in from the Flint Hills of Kansas. The interior woodwork is Honduran Mahogany. The home features many mahogany built-ins and horizontal batten paneling that give the home an almost yacht-like feel.

The home, which is situated north of downtown Kansas City on a bluff above the Missouri River Valley, presents a rather austere facade with battered desert masonry walls and a large stone fireplace mass facing the street at the north edge of the site. Living areas face south with glazed views of the Kansas City Skyline, the downtown airport and the Missouri River below. A daring cantilevered balcony, rivaling Fallingwater's, projects boldly towards the views to the south and out over the dramatic escarpment of the site. The master bedroom is located with the main living areas at the entry level, with the secondary bedrooms located on a lower level, which daylights because of the sloping site. The plan of the house is based on a 4 foot square module.

Taliesin apprentice, John Howe did preliminary drawings for the Bott residence. The final version of the design and working drawings were done by apprentice, Cornelia Brierly. The drawings were completed in 1960, the year after Wright’s death in 1959. Construction was completed in 1963, costing just over $200,000.

All of the furniture in the house was designed by Wright and is original to the house. Cornelia Brierly also provided color and fabric choices for Wright’s designs. Many of the furniture pieces are reminiscent of the furniture line Wright did for mass production by Heritage Henredon.

Thanks to Scott Lane for help on the details about the house.

Interior photos have been deleted at the owner's request. Please see the exterior photos here.

Al and Margaret Hunt- Hill House- Colorado Springs, CO

I have admired this home for years...It was built for Mr. and Mrs.(Hunt) Hill. The Hunt family ( yes from Texas) developed the area as Kissing Camels Golf Resort, after the famed rock formations to the west known as "Kissing Camels". The Hunt family own the land that also encompasses the Garden of the Gods, in Colorado Springs, CO. We had an appointment to see the house, but Mrs. Hunt was ill so I don't have any interior photos out of respect for her...she passed away shortly after this visit. I tried to find out who the architect was but was unsuccessful...the staff didn't know or couldn't remember as well as the neighbors, though they thought he was from Denver ( I will find out eventually and report in). It's an incredible MCM design, built like a fortress. The light, shadows and views are first class and the landscaping is exceptional.
Nicely sited with fine landscaping...the entry is tucked under the deep overhang...You can't tell how large this home is from the street because of the privacy walls and the landscaping.
This shows the east terrace with separate personal and entertaining spaces divided by a water feature. The deep overhangs provide a sense of security on windy days...note the large glazed areas.
Above, another view of the east terrace auxiliary bedroom wing in the background.
The west side terrace with "shademakers" on a steel framework, an incredible contraption... In the background is the access to the master bedroom wing. Looking to the right you would see the below view..walled, garden terraces with water fountains...Pike's Peak is to the right in the photograph.

Julius Shulman - Oklahoma Modernism Rediscovered - April 30 through June 7

Organized by the Oklahoma City Museum of Art, Julius Shulman: Oklahoma Modernism Rediscovered is the first-ever retrospective of photographs taken in Oklahoma by legendary architectural photographer Julius Shulman. The exhibit runs from April 30 through June 7 and will feature over 65 images - many unseen by the public for decades - of buildings designed by such world-renowned architects as Bruce Goff, Herb Greene, William Caudill, Truett Coston, Robert Roloff, and Paul Harris. Twenty-one architectural projects from six Oklahoma cities and towns will be represented in the exhibition, including homes, banks, churches, museums and hospitals.

In addition, on Saturday, May 2, the Museum will sponsor an architectural bus tour of several Oklahoma City-area buildings that Shulman photographed during the years he worked in Oklahoma.

St. Francis Xavier Church - Modern Photo of the Week

Name: St. Francis Xavier Church
Architect: Barry Byrne and Joseph Shaughnessy
Scupture: Alfonzo Ianelli
Year Designed: Unknown
Builder: Unknown
Year Built: 1951
Size: Unknown
Location: 1001 E. 52nd Street, Kansas City, MO
Type: Religious
Style: Moderne
Status: Good
Photographer: Robert McLaughlin

Here is a teaser image from the Out and about Wright Tour. Look for a lot more from this event soon!

Hyde Residence Fireplace by Architect, Bruce Goff - Bonus Photo of the Week

Name: Hyde Residence
Architect: Bruce Goff
Year Designed: 1964
Builder: Michael Rothstein Construction
Year Built: 1965
Size: 3400 sq. ft. 5 bedroom 3 ½ bath
Location: Prairie Village, Kansas
Type: Residential
Style: Organic Modern
Status: Very Good
Photographer: Robert McLaughlin

The ten foot by ten foot central skylight over the brick hearth is penetrated by the fireplace chimney, which has a purple mirrored triangular wall behind. Strips of “cellophane rain” hang from the skylight, creating a magic play of light on carpet and walls. With a fire burning, you understand the concept of Earth, Fire and Water. Many people know the house from the use of green dime store ashtrays used as stained glass elements in the doors and railing.

Castilian by Architects, Jones and Emmons - Modern Photo of the Week

Name: Castilian
Architect: Jones and Emmons ( A. Quincy Jones)
Year Designed: 1956
Builder: Don Drummond
Year Built: circa 1956-57
Size: Unknown sq.ft. 3 or 4 bedroom variations with 2 baths
Location: Prairie Village, Kansas
Type: Residential
Style: Modern Atomic Ranch
Status: Excellent
Photographer: Robert McLaughlin

We will be posting a lot more about the design of this home a little later.

Snower Residence by Architect, Marcel Breuer - Photo(s) of the Week

Name: Snower Residence
Architect: Marcel Breuer
Year Designed: 1954
Builder: Unknown
Year Built: 1955
Size: Unknown sq. ft. 3 bedroom 2 bath
Location: Mission Hills, Kansas
Type: Residence
Style: International Style
Status: Endangered due to the value of the lot in Kansas City's most affluent neighborhood
Photographer: Robert McLaughlin

Description: This residence was built by its current owner who commissioned Breuer to design it for them in 1954. The owners have painstakingly maintained the original interiors as designed by the architect. The exteriors also remain exactly as they were originally planned. The house was designed as a long and narrow box, housing the living and bedroom spaces, built on a masonry base containing the garage and a family room. Large cantilevers at both ends dominate the design much like Breuer's own house built in 1947, in New Canaan, Connecticut. This may be one of only two Breuer House built West of the Mississippi. It is likely one of the most original Breuer Houses standing today.

I had to dig around my hard drive to find these photos taken with my first digital camera back in April of 2004. They are more candid snapshots than architectural photography but they give you a taste of the exterior and interior of the house.