Wednesday, February 3, 2010

Cliff May-Architect...She Said...Part One




Mrs. C, an elderly friend living near 66th Terrace and Nall, Prairie Village KS kept saying her and her husband, Bob, had built a "Cliff May" house. It has redwood siding, heavy cedar shake roof and nice bones with lots of southside windows and a beautiful backyard. Though I am quite familiar with May's work, she convinced me enough to think they had a "Sunset" magazine house design. She showed me pictures in vintage magazines with Cabot's Ranch House Stains featuring May houses. I became very curious annd delved in deeper. As it turned out and after many attempts to see her house plans, I discovered the house was designed in 1954 by Linscott and Haylett, built by Wm. V. Powell Construction, who Mrs. C quoted as saying, "you don't want to live in a barn", and with that talked them out of vaulted ceilings. The house plans couldn't be found but a preliminary plan was found showing the house reversed with a front entry instead of a side entry garage. This is a great mid-century ranch, with private and public areas seperated nicely, both giving onto the wonderful rear terrace designed by Hare and Hare in 1959. The Hare and Hare landscape design firm did an extensive design for the terrace, pergola room and landscaping. I'll feature that in a future post...

Monday, February 1, 2010

Design Week is Here

The Kansas City Design Alliance has planned design related events every day this week so check the schedule here:

http://www.kcdesignweek.org/

Friday, January 29, 2010

Carl Stenstrom-Architect His Opus-Part Two

The following studies depicts Carl's efforts to reconcile size and shape along with exterior walls, balconies and windows. Interesting to see "Wrightian" design elements such as planters, water features and spires. In the early 1950's, Carl applied for the apprentice program at Taliesin. Upon hearing that Carl had two young chidren, Frank Lloyd Wright told him they didn't have accommodations at the time...disappointed, Carl soon was in Bartlesville, OK working on the Price Tower. I believe that is where he developed his love affair with concrete...though the geometry of this building is different from the Price Tower, there are similar characteristics.




The image below is a revision for an enclosed top floor. I don't know why but this sketch reminds me of drawings by Mendolsohn... These two sketches (above and below)are interesting...a shorter building design and below, it featured open balconies...are those spotlights shining into the sky? It appears there are semi-circular fence elements on the surrounding stone wall... perhaps to tie in with the balcony railing and the top of the roof deck enclosure that looks a lot like the skylight in Wright's Guggenheim?


The sketch above is an early perspective with "clunky" elevator towers that look awkward compared to the more refined later perspectives...Carl would often sketch at the top of the paper and have a lot of white space before you see the name of the project at the bottom, almost in the same way as Wright used the Japanese woodblock techniques in many of his earlier perspectives. Note the "inverted-L house" is omitted from the drawing.Once the final design concept was in place Carl built this model to help the client visualize the building...With an enormous number of drawings and effort expended, the client started to lose money on other investments, the early 1980's were an economic mess. Concurrently, he started losing interest in the building, which would have been complicated and expensive to build...he stopped paying Carl and during litigation the client committed suicide...


Below- This "Typical" floor plan is easier to read than the previous ones...






The reason I call this Carl's "Opus" is for the next fifteen years he met with developers in many cities and the Lake of the Ozarks as well as Branson, in an effort to get it built...Unfortunately, it never was. Below- The "Solar Deck"...


Below- Great photo of the model taken while at the lake.



Below- This angle shows the entrance on the north of the building and the car court with drive to underground parking.


Stay tuned...I'll post some other interesting work by Carl Stenstrom

Wednesday, January 27, 2010

Carl Stenstrom-Architect- His Opus - Part One


It's been almost two years since my friend and architect, Carl passed away. I have had the pleasant/painful task of organizing his many drawings from a career that spanned over 40 years. Carl had to pay the bills, with hundreds of drawings for projects like U-Haul Stores nationwide to his "Wrightian" leanings such as the distinctive roof lines of his Gates BBQ designs. In his work you can see where his heart was...the more challenging the site, the more adventuresome the client, the opportunity for a more "organic" design...amplified his efforts. I call this his "Opus"...originally conceived in the late 1970's and after meeting an enthusiastic investor, John Lucas, Carl threw himself into creating a unique, eye-catching architecture for a dominant site west of the downtown skyline at 17th and Jefferson in KCMO. If you look closely at the renderings above, you will see in the background the concrete "inverted-L" house that was recently demolished...note the large stone wall that still remains at the site where a large modern house was constructed a few years ago...can't miss it when on Hwy I-35.
Carl worked and reworked his design, revising and manipulating space in the confines of a circular structure...the roof and balconies were challenging for him to resolve to his satisfaction, all the while dealing with and encouraging a temperamental client to "stay the course".
The single unit plan below would have offered a lavish lifestyle with great city views.


Below- A revision of the double-unit plan(2 dwelling spaces on one floor)

Below...By February, 1982 the project was now called "Monticello West"...the owner of the tower would have the top floor, capped by a "Solar Deck" on the roof.



Part Two will feature more drawings of the exterior, a detailed model and the reason this building didn't get built...Stay Tuned.

Tuesday, January 26, 2010

Architect, Louis S. Curtiss in Kingsville, TX - St.L.B.&M. General Offices

After spending the remaining three hour drive from Kingsville to the southernmost tip of Texas being perplexed by the Louis S. Curtiss Mystery Urns and the brief fuzzy image of a "railroad station" that appeared to be a Curtiss design, I set out to do an internet search on the worlds slowest wireless internet connection from our condo. I was in search of an image of the Kingsville railroad station. After quite a few strategic shuffles of key words, some five minute waits for photo downloads and some google magic, I discovered a postcard image of my quest.

It turns out that the station was not a railroad station at all, but was the headquarters or "general offices" of the St. Louis, Brownsville and Mexico Railroad (St.L.B.&M.) in Kingsville, Texas. This was the only image that I could find on the internet and it definitely was the hand of Kansas City Architectural hero Louis S. Curtiss.

But what about the mystery urns? There were none in the colorized photo postcard. Hmmm...

More to come....

Saturday, January 23, 2010

Kingsville, Texas and the Louis S. Curtiss Mystery Urns

On my recent trip to South Texas my father wanted to stop our caravan and visit the King Ranch, which is the largest ranch in the world with over 1 million acres of land. The next two bus tours were full, so we browsed the exhibits and read about the ranch in a small museum that they have on the property. We decided to see a twenty minute film about the King Ranch, the King family, their Santa Gertrudis cattle and Triple Crown winning race horses. Near the end of the film the narrator documents the King family donating the land and platting the new town of Kingsville, Texas to be a new rail hub and headquarters for the St. Louis, Brownsville and Mexico Railroad. Vintage photos were shown of an imposing railway station and headquarters for the fledgling railroad.

EUREKA, I thought that I had found a lost Louis S. Curtiss building! I recognized the structure as a Louis Curtiss building right away. And knowing that Curtiss had designed several railroad stations reinforced my resolve. I immediately asked the Museum personnel for the location of the train station, which they showed me on a city map. We drove there, family caravan in tow, and much to my disappointment there sat a rather conventional brick train station with wide overhangs. Not the building that I had hoped to find.

BUT there was one clue there that mad me think that I was not completely off base. There in front of this rather unremarkable train station sat a series of unusual Prairie Style Urns. Unusual, in that they were vertically proportioned... They were almost in the style of Arts and Crafts, Teco art pottery and very eclectic. Eclectic is the word most often used to describe the work of Louis S. Curtiss. Maybe I was on to something.

More to come....

Thursday, January 21, 2010

Old KC Images- Part Two

This video has some of the same images as the previous one...I thought it was worthwhile just because some of the images are different...Click on the link below and Enjoy!

http://blip.tv/file/2080171

Tuesday, January 19, 2010

Old KC Images-Part One

This film features places of interest in the Kansas City area from the 1950's into the 1990's. If you grew up in the area or were around during this time, you'll definately recognize some images. We've never posted a video before but felt this would be fun for those who have not seen it... This is just under six minutes long...so just click on the link below, sit back and enjoy the memories ( when is the last time you saw that many cars at Metcalf South Mall)...a big thank you to OldKC.com.

http://www.youtube.com/watch?v=wD-hQTEfSqc

Monday, January 18, 2010

Everyone Loves a Good A-Frame and a Hamburger - Whataburger

I remembered the venerable Whataburger chain of restaurants decked out in University Texas Longhorn colors from a week of college debauchery in South Texas in the 80's. We had even stopped at one of the famous A-frames on a return drive from Spring Break and then listened to one of my back seat travel companions complain, OHH-WHAT-A-BURGER, from a raw onion induced stomach ache for the next 500 miles.

On my more recent trip, I was not prepared for the lack of the landmark, tall A-frames, which were once as common as Longhorn cattle in Texas. You could usually spot one of the distinctive narrow orange and white striped roofs and the gigantic W logo signs from a mile away, a testament to it being a true "Roadside Architectural Wonder." Any Texas town over 2000 people seemed to have one. These days the Whataburgers are just as common, but the buildings seem to come in a more conventional toned-down, quasi-A-frame design. A shorter, squatter mini A-frame-hybrid with ranch house roof side appendages is how I would describe it. And the orange and white stripes are much wider, with a less aesthetic commercial metal panel roof replacing the standing seam metal. Really the newer designs are quite dissappointing.
If you are a true roadside food aficionado, then you can imagine my delight when my daughter latched on to the clever name and the distinctive color scheme and began demanding, "I want to eat at a Whataburger!" She convinced the family patriarch that this would be a better choice than a quick stop at a Burger King. Soon the whole family of fourteen would agree. WHAT-A-TREAT! I quickly became enamored with the #5 bacon cheeseburger with onion rings instead of fries. After three more stops over a week we waved goodbye to our last orange and white roof as we headed north out of Oklahoma City.

I am starting a campaign to demand that the Whataburger chain expand to the north just one more state to include Kansas.

KCMODERN friend Debra Jane, aka Agility Nut, has photographed many Whataburgers, which you can see here.

It also appears that the hamburger chain has started to recognize the historical and marketing significance of their little A-frame buildings and has posted a fun section to the Whataburger A-frame website, which I recommend you check out.

You will also note that the more recently built, flagship location in Corpus Christ, Texas, dubbed the "Whataburger by the Bay," has made a weak nod back to the high A-frame and the narrow orange and white stripes.

Wednesday, January 13, 2010

George Kraigher House by Architect, Richard Neutra - Then and Now

Then: Image courtesy of the National Trust for Historic Preservation


Now: As the house appeared on my visit in December 2009

Tuesday, January 12, 2010

George Kraigher House by Architect, Richard Neutra - Before and After

Before: Image courtesy of the National Trust for Historic Preservation

After: As the house appeared on my visit in December 2009

As I mentioned the Kraigher House by Richard Neutra was in deplorable shape just a few short years ago. Here are the dramatic before and after restoration views of the house.

Monday, January 11, 2010

George Kraigher House by Architect, Richard Neutra - In Depth

Recent image from unknown internet source

On 24 May 2004, the National Trust for Historic Preservation listed the George Kraigher House on Paredes Line Road as one of America’s Eleven Most Endangered Historic Places for 2004. Reflecting increased awareness of the historical value of modern architecture, the then sixty-seven-year-old Kraigher House, the first International Style house built in Texas, was one of two modern buildings on the Trust’s most endangered list in 2004.

The Kraigher House was built in 1937 to the designs of Richard J. Neutra (1892-1970), an Austrian-born and–trained architect who immigrated to the United States in 1923. Settling in Los Angeles in 1925, Neutra attained international recognition as one of the foremost advocates of the Modern Movement in twentieth-century architecture with his first important building in the US, the Lovell “Health House” in Los Angeles of 1927-29. Despite the onset of the Great Depression, Neutra produced a series of inventive modern buildings in California, mostly small houses, that were extensively publicized in the international architectural press. According to Neutra’s biographer, Thomas S. Hines, it was during a business trip to Los Angeles in 1936 that George Kraigher, a Pan American Airways pilot, saw one of Neutra’s houses and commissioned the architect to design a country house for him in Brownsville, where Pan American Airways had established its Western Division offices in 1932.

George Kraigher (1891-1984), like Richard Neutra, had been born in the Austro-Hungarian empire. Kraigher was from Slovenia. He was trained as a pilot in the Austro-Hungarian military but in 1915 defected to Italy and, for the rest of World War I, flew for the Serbian air corps. Kraigher immigrated to the US in 1921. Before joining Pan American Airways in 1929, he performed aerial survey and mapping work. During the 1930s, Pan American Airways routed all its overland flights between the US and Latin America through Brownsville. Kraigher was a senior pilot for Pan Am. In 1937, he set what was then a speed record for commercial flights in a journey that began in Brownsville and, over the course of six days, extended as far south as Santiago, Chile, and Buenos Aires, Argentina, before ending in Rio de Janeiro, Brazil. Kraigher was gregarious and convivial. An accomplished horseman as well as a pilot, he entertained in Brownsville, often arranging for friends to fly in from other Texas and Mexican cities served by Pan Am. Among Kraigher’s colleagues was the pilot Lars H. Kristofferson, whose son, the actor Kris Kristofferson, was born in Brownsville in 1936. When the US entered World War II, Kraigher left Brownsville. During the war, working first for Pan Am, then as a US military officer (eventually attaining the rank of colonel) under the Office of Special Services, Kraigher used his flying skills and geographic knowledge in support of critical military missions. He charted air routes across Africa serving supply lines from the US to the Middle East and India in the early 1940s. In the latter part of the war, he was active in the Balkans organizing and carrying out aerial rescues of downed Allied aviators. Kraigher did not return to Brownsville after the war and sold the house in 1946. He organized air services for Aramco in Saudi Arabia and in the 1950s built a second house designed by Richard Neutra in Litchfield, Connecticut, where he lived until his death in 1984.

Neutra’s design complemented George Kraigher’s sense of adventure. The compact house is two stories high. Flat roofs, horizontal bands of steel sash casement windows, a second-floor roof terrace with metal pipe railing, and planar walls finished with white stucco are identifying modernist characteristics. Neutra offset interior spaces in plan so that all rooms have access to the prevailing southeast breeze. A spacious, L-planned room on the first floor combines living and dining uses. There is a bedroom with separate bathroom and dressing room on the first floor and a bedroom, bath, dressing room, and den on the second floor in addition to the roof terrace. A two-car garage projects off the northwest corner of the house. The house retains its original cabinetry and fixtures. Neutra’s hand is especially visible in the deftly proportioned exterior wall planes, which are sculpturally juxtaposed with overhanging roof fascias to give the small house its dramatic presence. The house is surrounded by vegetation typical of the Lower Río Grande border, the only semi-tropical area in Texas: tall Washingtonia palm trees and low, thorny ebony and mesquite trees. Adjoining the flat site is a resaca, a lagoon-like ox-bow lake. The house was built by the Brownsville contractor A. W. Neck for a contract price of $5,000. The Brownsville architect Frank L. Godwin supervised construction. Neutra did not see the house until a chance visit to Brownsville in 1951. The Kraigher House was published in the May 1939 issue of Architectural Record as “Open-Planned, Window-Walled House in Southwest.” It is also illustrated and discussed in Hines’s book Richard Neutra and the Search for Modern Architecture: A Biography and History of 1982.

The Kraigher House was the first house and (following the Magnolia Lounge at the Texas Centennial Exposition of 1936 in Dallas, designed by the New York architect William Lescaze) the second building in Texas built in the International Style of modern architecture. Neutra was the modernist master who had the greatest impact on Texas in the 1930s and 1940s. One of the first modern architects to practice in Texas, Charles Granger of Austin, worked in Neutra’s Los Angeles office in the 1930s. The Kraigher House forecast the role modern architecture would play in re-shaping the Lower Río Grande Valley during the 1950s, when, for the only time in the region’s history, buildings designed by local architects were published in the national architectural press.

The Kraigher House was owned from the 1961 until 1999 by the Brownsville real estate broker and developer Bud Franke and his wife. After the early 1970s, the Franke family ceased living in the house and rented it. By the early 1980s the house began to show signs of lack of maintenance. By 1992 it was windowless and inhabited by tenants who lived there rent-free in order to keep the house from being occupied by vagrants. Efforts by Preservation Brownsville and its founding president, Ambrosio Villarreal, Jr., led to acquisition of the house and two acres of its six-acre site by the City of Brownsville in 1999. The city enclosed the house and fenced it off but never began rehabilitation. In February 2004, Preservation Brownsville and Villarreal were successful in having the house listed by Preservation Texas as one of the most endangered historic sites in the state. Villarreal and Preservation Brownsville were also responsible for nominating the Kraigher House to the National Trust’s most endangered list. Listing prompted the City of Brownsville to negotiate a ninety-nine year lease agreement with the University of Texas at Brownsville/Texas Southmost College. In January 2006 the university took possession of the two-acre site and began restoration of the Kraigher House. Dr. Juliet V. García, president of the university, and Dr. José G. Martín, provost, were instrumental in securing the university’s support of this effort.

The restoration of the severely deteriorated house was carried out by Lawrence V. Lof, assistant professor of biology and director of the Gorgas Science Foundation, who is also the university’s rehabilitation projects manager. After overseeing restoration of the Alonzo Building complex, a late nineteenth-century corner store; and another such complex, the Cueto Building, both examples of the border brick style of the lower Río Grande; as well as the J. J. Young House, an imposing Colonial Revival house built in 1910—all for use by various agencies of the university—Lof embarked on the restoration of the Kraigher House with students enrolled in Texas Southmost College’s Historic Rehabilitation Practicum. Restoration work was carried out between early 2006 and 2008.
Article courtesy of Lower Río Grande Valley Chapter, American Institute of Architects
September 2009

Saturday, January 9, 2010

George Kraigher House by Architect, Richard Neutra in Brownsville, Texas

Name: George Kraigher House
Architect: Richard Neutra,
with Frank L. Godwin, associate architect
Year Designed: circa 1936
Builder: A. W. Neck
Year Completed: 1937
Size: Unknown
Location: 525 Paredes Line Road, Brownsville Texas
Type: Residential
Style: International Style Modernism
Status: Excellent
Photographed by: Robert McLaughlin

I traveled with my extended family to South Padre Island, Texas between Christmas and New Years Day. While there, we made a side trip to Brownsville, Texas and Matamoris, Mexico, sister cities on either side of the Rio Grande river. At my request we made one stop of architectural interest on this rainy day at a home designed for George Kraigher by California Modern Architect, Richard Neutra. Kraigher was a Pan Am pilot stationed in Brownsville, which in those days was a hub to South America from the US. I jumped out and quickly shot off some photos from the hip while thirteen impatient family members waited in a van. I wish the photos were better, but I had to work with haste and the poor weather conditions of the day. Later, I had to seriously debate whether to give up one of the few sunny days at the beach to make a return trip, but my family vetoed the thought.

This house is special in that it represents a significant success story for the preservation of Modern architecture. In 2004 this house was named to the National Trust for Historic Preservation's list of the "Eleven Most Endangered Places." The house sat windowless and unoccupied while termites were destroying what remained. Fortunately a few people with some idea that a modern home could be historically significant intervened and convinced the city of Brownsville to purchase the home in 1999. The property was fenced, but no work was done to stabilize the structure. The placement of the house on the 2004 list convinced the city to commit to a 99 year lease to the University of Texas Brownsville/Texas Southmost College. The home was restored by the University from 2006 to 2008. I post these photos as a testament to the good work done by the people of Brownsville.







To see larger versions of these photos go to my flickr site.

Wednesday, January 6, 2010

Happy New Year from All Your Friends at KCMODERN!

I took these photos over the Christmas Holiday as the snows started to build up and drifts began to grow. This particular area on the roof of our mid-century modern ranch is a drainage point for two gables and prone to wind drifts during snow and heavy wind. I wanted to share what I thought was a lovely snow veil cantilevered from the roof.

The icicles grow...somehow a metaphor for the year as it goes by...
We wish you a Happy, Healthy and Abundant New Year!
...We were talking the other day about upcoming events for 2010 ( check back soon for announcements on our late winter events) when we reflected on 2009 and the fun we had...Here is a short list of our efforts:
In February, there was "Memphis in Missouri, " an open event at the home of our friend Rod, showcasing his collection of Ettore Sottass designed furniture and decorative accents, along with other great 80's artists and designers.
In March we hosted a modern tour for the architectural students from Iowa State University and our friend and professor of architecture, Dan Naegele.
KCModern co-hosted an April tour of architecturally important houses, Louis Curtiss, Frank Lloyd Wright, Marcel Breuer, Jones and Emmons, Clarence Kivett, Bruce Goff, Edward Tanner and Barry Byrne, (see previous posts) for the Frank Lloyd Wright Conservancy Spring Meetings, including reception dinners at the Frank Lloyd Wright designed Bott and Sondern-Adler houses.
In April, we planned and recorded an audio/visual oral history of Ted Seligson, architect FAIA/educator, preservationist and wonderful man.
In June we partied with our first "Martini Modern" at the wonderful home in KCMO designed by William S. Beckett. Part of the proceeds from the event was for the benefit of the Historic Kansas City Foundation.
In August we began our co-sponsored film events with the AIGA.
September was the David B. Runnells House Tour and reception at the "All-Climate Home" with our special guest Jill (Runnells) Grose.
November was our "Showcasing Green" Event at the Studio 804 designed house in KCKS.
At this time we are in the process of seeking not-for-profit status.
This will help us in our quest for continued research and advocacy for modern architecture and preservation of our modern assets...
As we build our calender of events, please let us know what you would be interested in... and look forward to a fun filled and educational KCModern 2010... We wish you the very best the New Year has to offer!

Tuesday, December 15, 2009

Bruce Goff, Architect- Thanksgiving In Bartlesville, OK

I'm late in getting this post up...Over Thanksgiving my family went to see relatives in Bartlesville, OK. As I always do, I had to cruise around and check on some amazing architecture there. We stopped in at the Price Tower to see the Contemporary Art Show, we were told the restaurant is now closed but the bar is still open at certain times. It's a great building, you should stop in if you are near. I then drove over to Christ Redeemer Church (located adjacent to Hwy 75). This originally was a church complex designed by Bruce Goff, unfortunately the church was never built but the ancillary service/ youth building was in 1961...these photos show how it looks now.

The pieces of blue-green glass are "culled" glass broken out of large vats from a nearby glass manufacturer( Bruce Goff often used "found" items or elements in his architecture). The glass is used in similar fashion as Shin-en 'kan, the Joe Price house destroyed by arson ten years ago, I love the bold corner embellishments. Note the entryway supports that resemble arrows.

Below: The glass cullet is used as sidelights to the door, letting in dramatic light by day and glowing at night from light within...



I had to get a photo of the afternoon light on this wall...the steel framed diamond windows, Oklahoma Limestone and random placement of the glass cullet give this building a refined discipline...I would have loved to see the faces of the church's building committee when BG presented his design.


The building was locked for the holiday, I'll try to locate some photos I have of the interior and post those in the future. I didn't include photos of the chapel, it is more subdued and less exciting, somewhat mismatched, but I'm sure it was more affordable than the design by Goff.